Materiality of ROR remembers the first inarticulate, mumbling voices, purely
organ sounds emerging from within the body. This memory is littered with events
over psychosocial conditions in time and space. Its binding are the responses of
flesh to the thinking of the machine. Hierarchy of thinking and the machineness
of life are the occupation and struggle of ROR’s primary origins.

Luka Prin?i? (alias: DJ Nova; born 1977) is a “copyleft” author, dj and programmer. Within the area of his research of open programming tools, the generative musical and visual (3D) approaches and the open performative practices his question is: what do we need to become an active part in the interactive action of an artist and especially with his interfaces/machines.

Stefan Doepner is an artist from Bremen, Hamburg, living now in Ljubljana. He has been involved in important artistic & social initiatives in the nineties and participated with various renown artists and institutions. His projects can be observed here (http://www.f18institut.org). He proposes a part of an installation with the working title LivingRoom – the project that is being [...]

A former fashion designer (1983?1987), she holds a BFA in painting from the Academy of Fine Arts in Ljubljana (1989) and an MFA in new genres from the San Francisco Art Institute (2001). Her work has been concerned with communication and exchange in a broad sense of meaning. Her work in general has a strong [...]

Formerly known as Bojan A?man, Chiron is the initiator of a LETS (”local exchange trading system”) web application as an educational tool to build up complex (more than one to one…) non-convertible value exchange system. Autonomy begins with value system. The web interface will be a model for additional projects of structures that are [...]

I can propose some of my projects, that would be presented as a sort of performances, partly workshops and some even as lectures. My work is a kind of weaving of some knowledge about life (of course) and things through discovering of the relationships that exist among particularities that form a structure that we usually call culture. It is a kind of deconstruction of these (cultural) structures and reconstruction into some new form which is usually an object making movements and producing sounds.